Oral Stories

At Culture House, the preservation of Somali spoken accounts is a key focus for us. We record the oral stories of our community members, archive them for safekeeping and provide online access to ensure generations to come can hear them. We want to amplify the voices of our interviewees beyond their immediate community to the wider community across the world who share a keen interest in Somali heritage and culture.

Our team is undertaking training from the Oral History Society to capture the stories of our community members to the highest possible standard. The Oral Histories Society identifies that “Unless we collect and preserve people’s memories then they can be lost. Spoken accounts can:

  • fill gaps in historical evidence and secure history at risk
  • bring new perspectives and challenge our view of the past
  • give voice to those people excluded from traditional historical records
  • document traditions and stories passed down from generation to generation
  • record the changing and enduring culture of a place or community, or shifts in everyday practices
  • contribute to the preservation of customs, dialects and ways of speaking

We have a wide range of topics and interviews of varying lengths; Search for a topic that interests you or look through the highlights of our collection.

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Liban Salah | Culture House Oral History Interview | Music Culture, Legacy & Connection

55 Minutes 4 Seconds

Liban Salah, also known as Liban Noah, is a community activist and manager of Dur-Dur Band International, the reincarnation of Somalia’s legendary 1980s funk and soul group. He began reviving Somali music in London in 2002, working with original Dur-Dur bassist Abdillahi Ujeeri to bring together talent from the diaspora. In 2003, he organised a fundraiser at Brixton Academy for Hargeisa’s national theatre, drawing 6,000 to 7,000 people. By 2011, he had gathered enough musicians for a full show in Southall, west London. Since then, Liban has led Dur-Dur Band International through performances across the UK and Europe, including a milestone show at London’s Barbican Hall. His work has introduced Somali music to a new generation while keeping the diaspora connected to its culture. This interview forms part of Culture House’s Oral History Series, which documents the experiences, memories, and contributions of Somali people across generations, ensuring these stories are preserved for future communities, researchers, and audiences.

Safia Jama MBE Culture House Oral History Interview | Community, Civic Participation, Advocacy

16 minutes 30 Seconds

Safia Jama MBE is the CEO and Co-Founder of Women’s Inclusive Team (WIT), a grassroots charity based in Tower Hamlets, East London. She established WIT in 2003 after noticing a lack of support for young mothers during her school runs. Under her leadership, WIT delivers 12 projects across education, health, domestic abuse support, advice, and food security, supporting Somali, Black heritage, and wider ethnic minority women and their families. She holds a BA (Hons) in Community Development and Public Policy from Birkbeck University and is a qualified Mental Health Trainer. She also serves as an Independent Police Advisor, a Board Director at Tower Hamlets Homes, a Commissioner at the Women’s Commission, and Chair of Poplar Union. Her MBE recognises her work at WIT including mobilising more than 500 volunteers to support residents in Tower Hamlets during the Covid-19 pandemic through a food bank and community kitchen & delivery initiative. TfL also named a DLR train after her. This interview forms part of Culture House’s Oral History Series, which documents the experiences, memories, and contributions of Somali people across generations, ensuring these stories are preserved for future communities, researchers, and audiences.

Nadifa Mohamed Culture House Oral History Interview | Writing, Memory & Somali Heritage

1 hour 3 minutes 15 seconds

Award-winning British-Somali novelist and broadcaster Nadifa Mohamed joins Culture House for an in-depth oral history interview exploring memory, migration, literature, identity, and the importance of preserving Somali stories. Drawing on her personal experiences and extensive historical research, Nadifa reflects on growing up between Hargeisa and London, her family’s history, and the inspirations behind her acclaimed novels Black Mamba Boy, The Orchard of Lost Souls, and The Fortune Men. She also discusses the role of oral history, language, truth in fiction, and the responsibility of telling stories that might otherwise be forgotten. This interview forms part of Culture House’s Oral History Project, which documents the experiences, memories, and contributions of Somali people across generations, ensuring these stories are preserved for future communities, researchers, and audiences.
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